dates for the band's upcoming tour (more dates to be added). Most venues, which are smaller clubs, are sold out. In his Jan. 24th post on his blog, Chris apologizes to all his disappointed fans who couldn't snag tickets:"I can't wait to see all of you on the road. It's gonna be a fun tour. We wanted to play the small venues first because it's so much more in your face and intimate. I've heard a lot of you were upset that you couldn't get tickets and I'm so sorry. But it's ok because this club tour is just the beginning.
"Hopefully we'll be coming right back to your town in bigger venues later this year.Until then, thank you all so much for the love and support. I couldn't ask for better fans.-Chris"
Daughtry will be touring with Eve to Adam and Cinder Road as its opening act. Click the Eve to Adam link to listen to them on their MySpace page. They remind us a lot of Daughtry's sound. Also take a listen to Cinder Road on their MySpace page. Should be a great concert. The 2007 Winter Tour will encompass 52 cities from the West Coast to the East Coast. Buy tickets here.
Daughtry/Eve to Adam Tour Dates:
Sunday, Jan. 28 - Anaheim - HOB
Monday, Jan. 29 - San Diego - Belly Up ughtry
Thursday, Feb. 01 - Los Angeles - El Rey Theatre
Sunday, Feb. 04 - San Francisco - Slim's
Tuesday, Feb. 06 - Seattle - Neumo's
Wednesday, Feb. 07 - Portland - Berbatis Pan
Thursday, Feb. 08 - Sacramento - Boardwalk
Monday, Feb. 12 - Phoenix - Clubhouse
Tuesday, Feb. 13 - Tucson - The Rock
Wednesday, Feb. 14 - Albuquerque - Launchpad
Friday, Feb. 16 - Abilene - Old Kelly's
Saturday, February 17, 2007 - Odessa - Dos Amigos
Sunday, Feb. 18 - Lubbock - Jake's
Monday, Feb. 19 - Dallas - Gypsy Tea Room
Wednesday, Feb. 21 - Houston - Meridian
Thursday, Feb. 22 - San Antonio - White Rabbit
Friday, Feb. 23 - Austin - Stubbs
Sunday, Feb. 25 - Tulsa - The Other Side
Tuesday, Feb. 27 - Colorado Springs - Black Sheep
Wednesday, Feb. 28 - Denver - Bluebird Theatre
Sunday, March 04 - Lincoln - Knickerbockers
Monday, March 05 - Des Moines - House Of Bricks
Wednesday, March 07 - Chicago - Double Door
Friday, March 09 - Indianapolis - Birdy's
Saturday, March 10 - Cincinnati - Bogarts
Sunday, March 11 - Flint, MI - Machine Shop
Tuesday, March 13 - Columbus - Lil' Brothers
Wednesday, March 14 - Cleveland - Grog Shop
Thursday, March 15 - Pittsburgh - Diesel On Sale
Saturday, March 17 - Troy, NY - Revolution Hall
Sunday, March 18 - Boston - Paradise On Sale
Tuesday, March 19 - New York - Irving Plaza
Wednesday, March 21 - Philadelphia - TLA
Friday, March 23 - Greensboro - Downtown Greensboro
Sunday, March 25th - Knoxville, TN - Blue Cat's
Monday, March 26 - Louisville - Headliners
Wednesday, March 28 - Madison - Annex
Friday, March 30 - Cedar Rapids - 3rd Street Live
Sunday, April 01 - Joplin, MO - Foundry Music Theatre
Monday, April 02 - Little Rock - Juanitas
Tuesday, April 03 - Birmingham - WorkPlay
Thursday, April 05 - Nashville - Exit Inn
Friday, April 6 - Atlanta - The Loft
Saturday, April 07 - Orlando - Universal Studios
Monday, April 09 - Tampa - State Theatre
Tuesday, April 10 - Tallahassee - Floyds Music Store
Thursday, April 12 - Charlotte - Amos' Southend
Friday, April 13 - Raleigh - Lincoln Theatre
Saturday, April 14 - Charlottesville - Star Hill
Monday, April 16 - Asheville, NC - Orange Peel
Tuesday, April 17 - Memphis - Newby's
Wednesday, April 18 - St. Charles, MO - Ameristar Casino
Thursday, April 19 - Kansas City - Voodoo Lounge
KATHARINE McPHEE REVIEW
Glenn Gamboa reviews Katharine McPhee's debut album
which drops Tuesday:McPHEEVER PITCH. Give Katharine McPhee a great ballad and she will hit it out of the park time and time again. Give her an uptempo song with some R&B-tinged phrasing (like the ill-advised ode to revealing footwear, "Open Toes") and it sounds like she’s hanging on for dear life, hoping the song doesn’t speed off without her.
Unfortunately, on "Katharine McPhee" (RCA), the "American Idol" runner-up’s debut, she ends up with way too many songs that she can’t quite handle. So it’s a tribute to her winning personality and powerful voice that her album turns out to be one of the best post-"Idol" debuts yet, in the same league as Kelly Clarkson and Carrie Underwood.
Half of the album’s 12 songs come from McPhee’s collaboration with Nate "Danja" Hills, best known for his fresh work with Timbaland on projects with Nelly Furtado and Justin Timberlake. McPhee is not an R&B kinda girl, though. And, sometimes, especially on the Christina Aguileraesque "Love Story," she gets left behind. Only the slinky "Each Other," a third-generation photocopy of Mariah Carey’s "We Belong Together," sounds like they were on the same page.
McPhee’s comfort zone is the big ballad and she does wonders with the wrenchingly soulful piano ballad "Better Off Alone" and the showstopper "Ordinary World." She is at her best on the Babyface-written R&B ballad "Everywhere I Go," which could provide the prototype for her future, one that merges pop’s current sound and her obvious strengths. ("Katharine McPhee"; Grade: B-)
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